Mom

My mother, in her twenties in Northern Ireland

Today would be my mother's birthday.
I know the first question you want to ask me: how old would she be?
I am not 100% sure. This is because I cannot seem to remember her birth year, no matter how hard I try. Because I am in touch with some of her childhood friends, born the same year, I have some confidence in saying she would be 73. But I could stand corrected, certainly.

Recently I have begun writing a different kind of memoir. I know, I know, don't start writing another book, Miriam! But this one is coming out naturally, not taking energy from other projects. It's a different kind of writing, more standing outside and looking in rather than telling what happened from a scene-based experience. I am sure a lot of it comes from reading Abigail Thomas' latest memoir, What Comes Next and How to Like It. Anyway, as I usually share a post about my mom on these days, here's a tiny piece from my zygote memoir project, which I am calling (for now) Your Face Before Your Parents Were Born (after the old Zen koan). It's rough draft.

Enjoy.
 

Carrots

I have many stories I tell about my mother, and even more I tell about the two of us. In particular, I have single stories, threads with common themes I have told over particular eras of my life.

Smiling Like My Mom

Last night I dreamt my mother, now dead for seventeen years, was alive and happy.
This is an unusual dream - meaning, I can't recall it happening before, though I am sure it has.
Usually we are in conflict, fighting, or she is distant in some way.

In the dream, there was no plot. Simply the image of my mother smiling, happy, facing me, sun on her face. It was glorious.

In fact, she looked quite a bit like me in the photo above, from almost a year ago. Our faces are very similar, with notable differences, but especially our noses with the line in the middle...and because the camera was above me, you see my glasses below my eyes. She often did this in order to read. And our smile - a bit mysterious, no teeth, turned up at the edges.

For years, when I took my glasses off to eat, when I caught a double chin in the mirror, I'd do a double-take. I did not. Want. To. Be. My. Mom. What woman wants to be her mom? I know a few, but they are rare. Most of us want to be our own person. When my mom died with me so young, nineteen years old, it became panicking-ly difficult to remember: who was she? Who am I not being?

As I grow older, instead now I want to know: who was she? Who am I becoming?

Slowly, bit by bit, I play out the same irony so many people do as we age: increasing interest in our families, who are already gone or fading. It would be convenient if as teenagers we wanted to know all that geneology our parents might be researching. But that's not how it works most of the time.

So, instead, I look to my dreams. And there I see that when I am happy, I look a lot like her.
And that is good.

Stories of Suffering/Stories of Joy

"Open" Chicago February 2013

A student stated something to me this week that shouldn't have been such a shock. But it was.

This student is writing a memoir. She's been having trouble getting memories out of her mom. Her mom is older, worn out, has had a stroke, and doesn't want to talk about the past. She has threatened to disown my student, in fact, for asking questions about deaths in the family, secrets, potentially shameful or painful things that my student wants so much to understand and get clear in writing her memoir. The process has been heart-breaking.

"All of a sudden I realized the other night that I never ask her about happy memories," my student told me. Wow. Why is that such a shock? It is. "And so I asked her about some happy memories from my childhood. I couldn't get her to STOP talking."

In an interview with a friend of her mom's, my student had heard that her mom was a good mom. A happy mom who really loved her kids. My student was touched by that, really affected and this information likely lead to her asking for more details about good times. Times my student didn't remember, but as soon as her mom began depicting, she recalled clearly.

Memories that were otherwise lost, that didn't fit into her story of suffering.

It is true that we recall suffering more than happiness, that even being present seems easier when we are in pain that in pleasure, or, as is most often the case for a large number of people, when nothing at all is happening. Whenever I do a body prompt - usually a couple of times of year - and ask people to see what their body is saying to them, almost always pain grabs the day.

Somehow there is so much shame around happiness, fear of bragging around it, that we often don't discuss it. The danger is, of course, if we decide that we know who we are (a victim, or someone who has overcome great adversity, or someone who has genuinely suffered - pick your potential poison) then we dismiss everything else that doesn't fit into that story.

The danger of a single story is just as risky in our own personal interactions with ourselves as it is on a socio-cultural level. In other words, it scales down. Though this isn't an "attitude of gratitude" love-and-light call for what you enjoy, remember in good light, it is an important, again, surprisingly, challenge for all writers and humans to take into account. Remember that before you write a single word, you have already told yourself many stories. Maybe this is why fiction sometimes seems closer to the truth than non-fiction - the truth is most of our lives are fiction. So tune in and make sure to get all the details you can, not just those that fit who you think you already are.

If you end an essay, a book, a paragraph even, thinking "Yes, this confirms who I think I am," then you should question that. Hell, not even about writing: if you end a DAY thinking "Yes, that day confirms who I am for me 100%," that should be a signal of danger - danger of solidifying, forgetting, not really paying attention.

Life is full of contradiction, paradox and mixed messages: suffering and joy alongside one another. 
Let all of it in.

PS A lovely post on elephant journal this week related to working with this.

Homage to Bass

 (image is mine - my brother Alex Hall used it as the cover for his EP of the same name)


The chances of me waking up, getting out of the shower, coming home and hearing Bass are very strong. If Dylan's in a good music mood and willing to chug out the beats, this is what will greet me. The funny part is that this has been a likely opportunity since I was thirteen, not just in the last five years.

Possibility

Last night I dreamt of reconciliation.

Impossible reconciliation. A chance to be with my mom, for us to understand each other once and for all, not without human error, not perfectly, but to really see each other eye to eye.

She's dead, so at least for the reciprocity part, that's not possible.