This Year

Amaryllis this year, in front of painting by Mom from her early adolescence.

On Friday January 24, 1997, early morning, I stepped out of the Blue Bus STD Clinic on the UW Madison campus, my negative HIV test results in hand. Out of what I thought was relief, I turned quickly to a bush and threw up my freshman dorm breakfast.

I was in an open relationship, my first, with a woman and a man, both of whom had other lovers. I had been unsafe a couple of times, and was convinced I had contracted HIV. Feeling deeply relieved, I took my time getting home, walking in the sunny crisp winter day.

Back at the dorm, my roommate looked at me morosely and told me to call one of my brothers before doing anything else. Just then, the phone rang, and I knew something was up. It was one of my oldest friends, calling to ask if I’d talked to that brother yet. She said to call him then call her right away. Neither the roommate or friend would tell me what it was about.

Ten minutes later, I sat on the floor of my dorm, aghast after a quick exchange with the brother. My mother had died of an aortic aneurysm that morning, just as I was leaving the clinic. I called back the old friend. When I started an ugly, angry cry, she was confused and asked if my test results had been positive. In utter shock, I had forgotten she was waiting to hear the results. 

The roommate left as soon as the old friend appeared with a bowl of requested mac and cheese from the cafeteria. I poked at it as the friend made plans to get me home that evening, Super Bowl weekend, when a bunch of our other  friends from Appleton were headed back anyway.

Once I was back, I wandered around my childhood home, now rendered a brand new place due to my brand new orphan hood. I talked in low voices with my brothers and godmother. I looked at all my mothers plants, a hundred or so, and began wiping them down, paper towels and bowl of warm water, cleaning dust from their leaves. It felt good to help something non-human but living.

When I got to the end of the plants, I found my mothers prized amaryllis, bright red. Every year my mother tried to get it to bloom around Christmas; it was late this year. The last of four blooms had just opened that morning.

Today is January 24, 2021. For a few years now, I have tried, and failed, to get an amaryllis bulb to bloom around this time of the year. They always leaf out, but never with stalks or buds. This year, I bought another one and it took off immediately. On January 20, the first big bloom opened, and every day since, another has opened. Today, the fourth bloom opened.

Mama, we had a hard run of it. But I have grown to miss you and wish you could know my wife, my life. I feel more connected to you now than ever. This is for you - four blooms going, and a second stalk budding, as if to make up for years of bloomlessness. I celebrate you on this 24th anniversary of your death.

As I mourned, and still mourn, those in my community killed too young by the AIDS pandemic - but more dead than should be because of discrimination and negligence - I now mourn those dead from the ignorance and denial of the COVID pandemic. 

When you died, Mama, I didn’t know any other orphans. Now I do. Now I know I am not alone in traumatic loss, whether from oppression or isolation. I am finally feeling out the difference between the trauma from loss, versus garden variety grief. 2020 was a rough year for death, for me and so many. And so it is I need this amaryllis bloom more than ever this year specifically. It is helping me remember to celebrate as I weep.

High Stakes Practice - Between Mother's Day and My Birthday

Here's my talk from last night's weekly Dharma Gathering at the Madison Shambhala Center. In it I discuss the idea that everyone may have been your mother (and what that might mean for your practice if you and your mom don't get along, or, for instance, if your mom is dead, like mine). As well, we weave in the slogan "Self Hatred Never Helps," plus seeing the enemy that is us as the friend that is us, and more.

40 minutes.
Listen here.

Individuating

My Mother, Northern Ireland, 1960's

Last night, I dreamed my mother lived longer than she did. That she was alive, now, and revealing to me two surprising things: she A) is really into Sade now(this from a woman who listened almost exclusively to classical music) and B) now wears make-up and gets her hair blown out once a week (no make-up, only done-up hair was a big bun she wore her hip-length, uncut hair in daily). I asked her, "Where have you been hiding your Sade tapes all these years? In your Chopin cassette cases?" and she smirked and nodded.

Saturday January 24th was the 18th anniversary of her death. Having spent a few days recently with her longest-term friend - her bestie from Kindergarten - having done TRE and spent time working through old triggers related to my interactions with her - having mourned who she may have been becoming when she died, and who she may have become had she lived - the anniversary passed subtlely, sort of subconsciously.

I slogged through prostrations, felt worn and sad but also alive. Little conscious thought or process, plenty of body awareness of loss. It's powerful, this grief, ever-changing and sometimes more subtle, sometimes more strong. When people ask me - is it always the same? How does it change? My answers vary depending on audience - have they faced a major loss? Are they asking out of ignorance, curiosity or because they want to know if their own struggle is normal? Are they a spectator or a cohort member? And my answers change based on how I feel.

18 years ago I became an orphan. Something about this feels powerful to me: I have now been without parents for an "adult" amount of time. Recently an image came to me of "giving birth to my mother" - it didn't "make sense" until now. Now something is shifting, seismic level. The TRE is releasing trauma deep in my hips, letting co-dependence slip less frequently out of my lips. My neck loosens, softens. There's some kind of shift happening.

I am an adult at being an orphan. This is a new life, all over again. Next year, a year from now, she will have been gone half my life: half my life with a mother, half without. I cannot say exactly what it is, but it feels something like this: this year, 2015, is some kind of window. It feels like wanting to finish my memoir, Bermuda Triangles. It feels like I can see all her old friends this year and feel some opening as well as closure at the same time. It feels like stories I've told are changing forever, for good, for better. I am independent now, not as chained to my grief. Individuating from my orphan self, while also integrating.

Something is finishing, and something is beginning. Something is slipping away and I am finding something else in its place. The slippery life of grief, the slippery stories of memory. I feel strong, sad and clear. For now.

Let Some Shit Lie.

Day 8 of ‪#‎Quest2015‬ - The prompt of the day from Eric Klein:

How will you face your shadow bag and stop the stink, so you can bring forth what is best within you in 2015? What can you claim right now?

What I can claim is that I do this work all the time, constantly. In fact, dragging around the bag tired me out years ago. What wears at me now is actually the work of scooping it up. I am ready to let some shit lie there and let it stink.

I find I am tired now because I have dug a bit deeper recently than usual, and pulled up some plugs that I knew were keeping my drains from flowing freely. Now that the fluids are rolling out again, I need to lay back and let myself go out with the waters.

My only shadow is what I keep from myself, whether out of survival/protection or in some kind of saving face/flying under detection manoeuvre. For awhile now I have had recurring neck issues, and worked through them with Hakomi therapy and also chiropractor work. These have both been useful, but as some recent deep re-configuring of grief over my mother's death has arisen, I had suspected that my neck and my sadness were deeply entangled.

At a meditation instructor training I found incredible palpable energetic evidence that they are. In situations, repeatedly as we practiced and trained, I tracked as my body tensed and mind became righteous, worried because "the person in charge" (not me) was "not doing their job" and so "someone had to do something" and "the only person who could/would do it was me." In these tiny interactions, the teachers detected my aggressions before I did, mirroring back a struggle I didn't realize I was having. My peers, the other students, mirrored back gratitude that I interrupted unhealthy situations. But my body felt exhausted, like it had been climbing uphill all day.

I had to ask myself, once I saw how clearly I was triggered, then reacting to my sense of lost power with incredibly controlling behavior, what was really going on? The answer was clear as day: I was taken back to a place, the place I visited so frequently when my father died (I was 12) and my mother didn't know how to stay alive - the place, the era, the state of mind of unpredictability, drinking, incredibly hostility at home. It only lasted a few years - and in fact, got better in the last few years of her life - but I was so traumatized that for a long time all I would feel was shock, tension and control whenever a situation seemed at all unstable for me.

Cue now.

So this is the current shadow. They get subtler over time - when I told one person what I was wrestling with, after our group meeting, she screwed up her face and looked at me oddly. What? I hadn't been controlling, she said. But my body told me otherwise. I use "controlling" not to be judgmental but to get to the core of what that energy-draining background program has been trying to do, unconsciously, for over half my life now.

I am ready to pull the plug on this shadow beast, but of course that's not how it works.

Instead I am using this darkest time of the year to rest, and to merge a bit, with long moments of deep breaths, with this inner core pain.

Hello in there, dear shadow.
Let's air you out and maybe you won't stink so much.
Let's go for a walk together, get you out and about.
Let's get you more familiar with life so it doesn't freak you out so much.
We are about to do some flying and I need you to be willing to let some shit lie so we can take off together into the huge sky of 2015.

My Mother, My Brothers.

January 24th, next Friday, will be the 17th anniversary of my mother's death.

I don't formally recognize it every year. It almost always it takes me by surprise if I don't, as if my body knows (and it does) exactly when it the anniversary is, even if my mind has forgotten.

This week, the week of the anniversary, I will go to where our family is buried - mother included - at our family cabin in southern Wisconsin. The brother who owns it has decided to sell it, which is fair. I can't imagine having a second property to keep up, and this one is laden with all kinds of heavy family history, as well as some good memories. It's time to let go.

Grief and Letting Go

Grief is a tough one for me.

Or is it?

Having lost my parents when I was pretty young, I am prone to moments - on the treadmill, in bed in the morning or late evening, petting the cats, watching a movie - of missing them.

Or am I?

It's spring. My mother died on January 24. My father on March 15. My mom's birthday would be April 10, and my father's March 25. The spring is annually pockmarked with their absences.

For a long time I identified with my grief. Every time I was sad, it was about my parents. A therapist I had in my late twenties, concerned about my repeated, cyclical depression and anxiety, had me map my emotional responses. Sure enough, at the same time each month, I missed my parents. Missed them because they were dead, missed them because they were often absent even when alive. Missed the idea of having parents. Got angry at them for what they did. Wished they'd done otherwise. Regretted disliking my mother so much when she was alive. Rinse. Repeat.

The therapist said:
While I believe you were traumatized as a child and young adult, I think this cycle is chemical.
I was diagnosed with PMDD - pre menstrual dysphoric disorder. It fit the bill perfectly - a very severe emotional response to the normal hormonal fluctuations of PMS.

Ok. Good. I evened out more. Because I understood the chemical component of my sadness/anxiety, I could also see that perhaps I was holding on to something - my parents'/the idea of my parents/my sadness. I got that a bit. I became more able to let it go, meaning: it was already gone, and I could see it was gone. Came, went. Came again, went again.

However, only recently have I noticed that the acute pain of loss, of hurt and grief, 
returns as well.
Yes, it goes. Yes, it comes again.

On one of numerous road trips for a dharma program that I have recently been on, a sangha friend replied that, when I told her that my parents and grandparents were gone by the time I was 22,
You were all alone.
I balked, though I've been known to say things like this, honestly.
I said, No, I still had, still have, my two older brothers.
But you didn't have any - don't have any - aunts or uncles or anything?
That's true.

I felt the acute sadness behind this story - this story I have told so many times, felt sad about so many times. Yes, I am all alone, I have felt so often. Yes, I was abandoned. And yet, what I was feeling then, it feels like now, were the words. I was feeling the stor(ies)y, not the feelings.

Now, now I am feeling the feelings more. Thanks to meds, meditation and more and more practice recently than in a couple of years, I am sensitized, close to the surface, and aware. Aware when the feelings come, and aware enough to really feel them. Then, to really watch them go.

This is what I talked about in a more abstract way in my recent post on elephant journal.
This is what letting go is - letting them go. Permitting, nay, noticing, accepting that what is gone is already gone.

Each time I acknowledge my feelings and let them go away, see that they are already gone, I am actually letting go of my parents. This is something I haven't been doing in the past. Maybe it was extended denial, or shock. It seemed like acceptance, but as I get closer to some feeling of real acceptance, I can see how far off it was.

There's no problem with that. I am not angry at myself, or shocked, hurt that this is 
"still going on."
No, instead I am grateful, most of the time, that I can keep learning to let go, the only way how:
Now.
Now.
And now again. Experiential. Real. Non-conceptual. In the moment. 

That's the only way to let go.

Gloves Off

This is the first of a series of spontaneous essays, poems and teachings I am making while driving.
This one, "Gloves Off" is a poem about my mother and gardening.

Today, on Mother's Day, when I couldn't seem to find my way through a muck of sadness about not having a mom anymore, I struck out to the garden to move irises and weed.

Only half way through did I realize what I'd done - gone to the one place she loved to be:
gardening.

Gloves off by Miriam Hall

Mothers

Abstract calligraphy made by participants in the LA Shambhala Art intensive I just attended.

"Ok," I start our writing practice, "Let's work on topics. What are some good things to write about - personal things, things you know and experience directly?"
"Relationships," the first student answers, without hesitation.
"Ok, good, but get more specific..."
"Close relationships, people you are close to," she guesses.
"Getting warmer, keep going, more specific..."
"Family relationships," she tries out, but then a light bulb goes off as I say:
"Ok, yup, keep going..."
And she practically screams out: "Your Mom."
The air goes out of the room. Everyone smiles or grimaces, all pens hit notebooks. I smile.

Possibility

Last night I dreamt of reconciliation.

Impossible reconciliation. A chance to be with my mom, for us to understand each other once and for all, not without human error, not perfectly, but to really see each other eye to eye.

She's dead, so at least for the reciprocity part, that's not possible.

Lies and Survival

"Did you ever lie to survive when you were younger?" she asked.

We were talking about our families, about our parents in particular: what was hidden, what was shared. I instantly sprang to a part of my life I felt super uncomfortable sharing for decades, but have, in the process of writing my memoir, finally "outed" and been able to talk about without shame. It wasn't lying *to* my family, it was lying *about* my family, sort of.

When my father died we had no funeral. There were many cards from students and co-workers (he was a beloved instructor at a local small tech college). Many calls. But no responses from our family (see: my mother, lost in grief) and certainly no funeral or wake. I didn't really know what those were like - my maternal grandmother had died when I was a little kid, and we had buried her at our cabin, where everyone's ashes got buried. No service, just a burial - maybe we weren't even there when our grandfather put her in the ground.

So it didn't strike me as odd. Didn't strike me as needed or even healthy to have a service. It was normal, you know, what was known, in my family's culture.

So many forms of Impermanence

My brother Alex got married this weekend. It was a Halloween wedding, resplendent with major crafting done by my now sister-in-law, Patty, and many images of love mixed with impermanence. Bride and Groom skeletons, for instance, held up pumpkins with their names carved out, and a ghoulish butler invited everyone into the reception room.


Witches, goblins, zombies and ghosts attended the wedding, along with, of course, living costumed creatures: Mr and Mrs Potato Head, Masquerading Bridesmaid (that was me), a few devils and belly dancers. Some kind of goliath, a few goths and a secret detective who gave his ID away right away. One baby pumpkin, and so on. But the first list - witches, goblins, ghosts and zombies - struck me in particular because for my brother, sister-in-law and me, another set of ghosts attended the wedding: Alex's and my dead parents, Michael and Tricia. Patty, my sister-in-law, suggested that they place a white rose on each chair for our parents in the front row during the ceremony - and so in the front row at the ceremony (attended by other ghosts, goblins and ghouls) there lay their ghostly traces. Later, I carried the white roses with me everywhere - they sat at Dylan's and my dinner table, and visited the DJ table where Dylan made sure plenty of Thriller and other celebratory scary music was played to dance to. Now they are home with me, where I will dry them and add them to my Dio de las Muertos shrine.

Everywhere I went this weekend, I saw skeletons and skulls, and not just in costumes, in places I wouldn't expect: in art at the Milwaukee Art Museum, on the streets imbedded in concrete. Impermanence, sometimes in a joyful way, other times in complete sadness that overwhelmed me and threatened my careful makeup job, reared its head completely this weekend. Ostensibly we say that the wedding was Halloween themed because Patty is a Mortician - technically, a County Examiner - with a license plate "Morticia" and Halloween stuff all over their house any time of the year. But for me, the theme was perfect and quite healing, actually, considering how much death Alex and I have lived through in our family: our parents, all of our grandparents and great aunts and uncles, and a godparent all gone by our twenties. What better way to invite our whole family - not ever as big as Patty's, but once more sizeable than now - than to invite the dead as well.

And not just the kindly ghosts, but the haunters, spooks and zombies, too.

To invite impermanence itself to one's wedding is to do a brave act of acknowledging this short life. During his speech at the reception, Alex spoke of how our mother had cried for a month after our father's death. Then, he admitted, he thought to himself "Just get on with it," but now that he has so much to lose - Tyler, his son, and Patty, his wife to name the big ones - he understands her grief so much more.

To love is to know what it is to lose, to lose is to know what it is to love. A risk. Life is a risk.
A Halloween wedding acknowledges this. I thank them both more heartily than they could ever imagine for not only throwing the most fun wedding ever, full of bagpipes and dancing sausages and moustache props, but also for letting the sometimes-difficult truth of our existence dance in its skeletal form alongside our joy and laughter.