Last night I dreamt my mother, now dead for seventeen years, was alive and happy.
This is an unusual dream - meaning, I can't recall it happening before, though I am sure it has.
Usually we are in conflict, fighting, or she is distant in some way.
In the dream, there was no plot. Simply the image of my mother smiling, happy, facing me, sun on her face. It was glorious.
In fact, she looked quite a bit like me in the photo above, from almost a year ago. Our faces are very similar, with notable differences, but especially our noses with the line in the middle...and because the camera was above me, you see my glasses below my eyes. She often did this in order to read. And our smile - a bit mysterious, no teeth, turned up at the edges.
For years, when I took my glasses off to eat, when I caught a double chin in the mirror, I'd do a double-take. I did not. Want. To. Be. My. Mom. What woman wants to be her mom? I know a few, but they are rare. Most of us want to be our own person. When my mom died with me so young, nineteen years old, it became panicking-ly difficult to remember: who was she? Who am I not being?
As I grow older, instead now I want to know: who was she? Who am I becoming?
Slowly, bit by bit, I play out the same irony so many people do as we age: increasing interest in our families, who are already gone or fading. It would be convenient if as teenagers we wanted to know all that geneology our parents might be researching. But that's not how it works most of the time.
So, instead, I look to my dreams. And there I see that when I am happy, I look a lot like her.
And that is good.
buddhist blog on writing, photography, teaching, life - with the aim to open inside spaces.
Thursday, March 13, 2014
Tuesday, March 04, 2014
The Power of Trees
| Tree Prayer, Deer Park, 2012 |
A few weeks ago, I gave a prompt about trees in my contemplative writing class. Out of the deep cold of winter, many students pulled memories and palpable experiences. Just the week before I'd asked them for what brought them joy. When they couldn't find it asked directly, a lot of them found it in trees.
There was an article recently in the New Yorker where the writer debated whether or not plants have intelligence. In the article, one scientist was quoted as saying, paraphrased: They can turn light into food. Isn't that intelligent enough? The student poetically captures this thought in this line:
All words grasping at form, imagery that belittles the magic of life essence, the simplicity of warm transmuting into life.
All words grasping at form, imagery that belittles the magic of life essence, the simplicity of warm transmuting into life.
This piece resonated along those lines: really appreciating the ordinary magic of trees. It has a lot of specificity - the writer has become the tree! And yet, it is so spacious and open. Enjoy.
-------------------------------------------------------------------
I am an outlier. I am the tip of the tip –
round, full, bulging. An ever so slight pulsing puts me in close association
with my world; the world beyond my borders, my edges. I feel clear and warm – a
bubble of a cell. Green. Clear. Light beams into me, through me. The sun is
warm.
I lie on the edge, the boundary of something and nothing. The boundary of
shape and shapeless. My shape shifts slightly with the pulse of the warm
sunlight as I form sugars and sweets that pass, that get passed – sucked –
shloop, shloop and shloop – steady, unremitting giving up my sweetness that
comes from the sun and moved along. Shloop. Shloop. Shloop. Moved along the
channels, the pathways that connect me on the outer edge of this internal
world. The sweetness sets out on its own journey from the edge of shape and
form; pulses along the channels. The sweetness gathers and is joined and formed
and becomes more intense.
The outer reaches are where birth happens but it is
at the centre in the main trunk of movement, the solid form, the upright
channels of life that support the edge, the boundary of form and no form. The
heat on the edge is sun-warm, today anyway.
But further along, deeper in, is
the life warm, the essence warm.
Factory? Engine rooms? Control central? All words grasping at form,
imagery that belittles the magic of life essence, the simplicity of warm
transmuting into life that is anchored deep in the earth to the outliers of where
form and no form rests in the cool damp earth. I am warm. The tip of the edge
where the sun touches, caresses and makes magic.
Far below is the edge which opens to receive the
moisture of the earth; the shapeless pulsing edge of life. Our edges never touch.
We do not know about each other. We stay on the edge. This edge is for now.
Tomorrow there will be another edge; the separation between form and formless
and we will continue to be where we are.
By Miriam’s novice student, February 2014 (this was how the student asked to be credited)
Monday, February 10, 2014
Quivering
| signs of life, january 2014 |
This is my favorite line:
And so this quiver that I quiver is a reminder that I am alive and fragile and only a moment in all of time, waiting for a bus that will be late and trying not to make all of this a bigger deal than it really is.-----On to the piece--------------
Stay here, quivering with each moment
like a drop of mercury
-Rumi
I quiver here like I don't remember quivering before. It is minus 31 with the wind chill factor. I don't understand this wind chill factor. The temperature, I'm told is minus 19 degrees celsius*,but with the wind chill factor it feels like minus 31*. If it feels like minus 31, isn't it minus 31? This is all too much like drugs and side effects. To me an effect is an effect. When they say side effect it makes it sound like something that will happen beside you. If a drug has a side effect of making you gain weight, the fat will just pile up next to you. You can even leave it there when you go out, just call the fat sitter. My point is this-they talk about the wind chill factor like a side effect of the weather. It's true, they say, it feels like minus 31 but don't feel too bad, it's really only minus 19. And who can say what one person's experience of minus 31 is to another person's experience of minus 31.
Tuesday, February 04, 2014
The Way of Writing Is Not A Subtle Argument
| Lost, Chicago 2013 |
I love this piece because it so clearly shows the writer's process.
The prompt for this last week was to use one of many possible (and provided) quotes from Rumi. This is the one this student, Heather, chose. She chose another one and felt similar resistance, so she went on ahead with this one: "The way of love is not a subtle argument." At first it seems to be "working" - she's writing about the quote. Then she feels her block, and proceeds to describe the guards who are protecting whatever is behind her block.
Then, the not-subtle argument becomes her process - it's not (just) about love anymore, but about the very writing she is doing. Finally, she returns to the place where she is - neighbors and sounds, and creates/discovers a little universe that is conspiring against inspiring her.
Monday, January 27, 2014
What Awareness Is
| Intersection, 2011 |
I deeply appreciate how she gets into the nitty gritty of how we can relate with the parts of ourselves we don't like with real compassion - simply by seeing how they are a part of our physical existence. Everyone in the class really appreciated the physical imagery - it helps pop open an understanding that otherwise stays conceptual.
Awareness sometimes sounds passive - or is conceptualized this way. This student really makes it clear that awareness is active, and something we need to practice - a lot! - with gentleness.
------------------------------------------------------------------
Awareness. Attunement.
I’d like to be more aware and awake this year. Less caught up in the stories I tell myself, the chronic parade of tiresome explanations, expectations, assumptions that probably stem from some past truth, a hurt, or disappointment, but that may or may not have any relevance to the immediate now.
Yet it’s so easy to make those assumptions relevant – to believe they’re true and act on them and then bring about a negative situation in the very real here and now.
I would like to step outside the accretion of all that conditioned thinking, those automatic feelings. I feel as if there is a part to my personality that I can’t seem to shake off, a part that can be small, petty, gritchy, bitchy, prone to anger and judgment. I’d like to gather all that up, collect it all like you’d pull up lint from a garment, to suck up and vacuum the dusty, dirty, debris-ridden portions of my psyche and then empty it out and be done. But it keeps being there, oozing and emanating from my character much like sweat and mucus and oil are just a part of what’s daily produced by our bodies.
Subscribe to:
Posts (Atom)