Confession versus Expression

Austin, TX

This is an unusually long blog post - I am letting you know because it's been a long time coming, and is in fact a draft of an essay for my book on writing in-progress called Sleight of Hand. I promise it is worth it, but it's longer than you are used to here at Inside Space.

I write memoir. It's the main genre I write, though some essays are more "essay-like" and some are more "memoir-like," depending on how you define the genres. Definitely I fall into the category of "creative non-fiction."

In my experience (reading and writing), what makes non-fiction creative is not the number of adjectives or the less-narrative-more-lyrical-structure. These are common definitions that I myself use in clarifying the distinctions of this new-ish-ly celebrated genre, which rarely finds shelf space of its own.  What really makes it "creative" is that the truth is being communicated in a less conventional manner. Instead of reporting the facts, confessing the crimes, objectively investigating the connections, creative non-fiction (especially of the memoir ilk) explores the truth through poetic form.

Truth v. Fact

Chalkboard from Marquette class

When I go as long as I have - almost a month - without blogging, it isn't because I have had nothing to say. It's most often because I have had TOO much to say, and also, perhaps, too much time on my hands in which to not say it.


But the thing that arises this morning, that I keep coming back to, is a conversation I had with my Marquette writing students about the difference between Truth and Fact.

Grandfathered In

(from a collection of shots of odd/aged "handicap" signs I've taken over the years)

In writing an essay for an upcoming call from Creative Non-Fiction journal, I have been going through my grandfather's writings on his trips to Australia. I have these because I have nearly all of our family files - all the letters, all the paperwork. No bills, I hope, still up there, but at least three generations' worth of photos and other family ephemera. My grandfather - he was the only one I ever met, as the other one died before I was born - visited Australia annually over the course of a few years, for about a month at a time, with often side trips to Fiji or Tahiti or New Zealand. I always wanted to go with him, but never did. In writing this essay, I am addressing a question I never really asked myself. Why?